Sitemap - 2019 - Artelligence
Painter Diarmuid Kelley Interviewed by Art in America's Will Smith
Sincerity and Cynicism in Maurizio Cattelan’s Banana
Pamela Joyner and Sarah Douglas at the CORE Club
The New York Sales Were No Bargain
Adam Lindemann on Buying and Selling at Auction
Can the Middle Market Thrive as the Top End Evaporates?
Fantasy Art Collecting Tips from Christie's Johanna Flaum
A Dealer and His Finacial Backers Come to an Impasse
Sotheby's African Art Soars; Francis Bacon Regrets
Swann African-American Art Totals $7.5m for 2019
Phillips Finds More in the Market
Guston, Riley, Albers, Lead Lancaster Sale
Nearly $64m in Contemporary Art Sold in New York Ahead of Frieze
A Ten-X Thursday in the Art Market
The Wallace Collection Enters the Global Conversation
Doctors and Dentists Can't Collect Like the Vogels
Art in America's Editor in Chief William Smith at CORE Club
Does It Matter If Art Is an Industry?
About That Crazy Porsche Auction …
The Story Behind the Sotheby's Story
Did A-Rod's Basquiat Flip Flop More than We Thought??
When Estimates Become Aspirational
London's Impressionist & Modern Sales
Sotheby's In the Cold Light of Day
A Few Thoughts on Sotheby's Going Private
Spring Strength for Middle Market Venues
Christie's Paris Contemporary & Sotheby's Russian Pictures
The Supply-Side of the Art Market Is Changing
$171m in 20th C & Contemporary Asian Art Sold in Hong Kong
Sotheby's Is Moving Aboriginal Art to New York
The Conflicted Coverage of the Art Market
The Mixed Market Thoroughly On View at Phillips and Sotheby's
The Past Is Always Present at Christie's
Volatility Returns to the Impressionist and Modern Market
Christie's Shores Up Its Imp-Mod Success with Estates
What the Data Tells Us: a Zao Wou-ki Case Study
Phillips's Deputy Chairman Jean-Paul Engelen
Can Machine Learning Beat the Warhol and Rothko Markets?
To Repel Ghosts: Jean-Michel Basquiat's Self Portrait from the Collection of Matt Dike
New York Prints Up 35% Year Over Year
The Rijksmuseum Wants that €165m Rothschild Rembrandt
Warhol v Calder: Who's the More Reliable Seller?
Salvator Mundi Saturation Point
Shrinking Revenues for Dealers and Auction Houses?
Sotheby's Lifts the Curtain on New Galleries
African American Art Makes a Statement
Malaysia Finds Its Way to Venice
Mary Boone Grabs All the Publicity She Can
Art Basel Hong Kong Sales Report
Bidders Get Aggressive in New York's Asia Week
Is the Auction House of the Future a Managed Marketplace?
London's Contemporary Sales Down but Hardly Out
George Michael's YBAs Make £9.26m
KAWS Stormed the Market in 2018, What Will He Do with His New Clout?
Phillips London Contemporary Evening = £36.38m
Christie's London PWC Evening = $104m
Sotheby's London Contemporary Evening = $123m
London's Cool and Collected Impressionist & Modern Week
Freeman's Sells $2.47m Old Master Painting
Christie's Imp-Mod Evening Sale = £165.6m
Sotheby's New Galleries Bolster a New Strategy
"I Learned A Lot from Hanging Out with Dealers"
You'll Never Be As Good as Banksy …
Stirring the Salvator Mundi Pot
Christie's Education Panel: Selling Art in the Digital Age
Christie’s Had Its Best Year in 2018
2018 Was a Record Year for Christie's
Who Was Henry Geldzahler?--A Conversation with Randall Bourscheidt
Old Masters, Watercolors and Comic Books
Leonardo's Battle of Anghiari Provokes Unexpected Fight
The Effect of a Ponzi Scheme on the Art Market
Is This the End of the Art Loan Business?
Arizona Car Week Sales Flat as Market Shifts
Another Neumann Basquiat Lawsuit
The Art Index That Changed the Auction Market
Looking for the Pan-Asian Art Market in Taiwan
Caravaggio, Gainsborough & Dr. No